Throughout her acclaimed writing career, Julie Garwood has captivated readers with characters who are compelling, daring, and bursting with life. Now one of the most popular novelists of our time proudly returns to her beloved historical romance roots–in a thrilling tale of love, murder, adventure, and mystery set against the haunting landscape of medieval Scotland.
For Princess Gabrielle of St. Biel, Scotland is a land of stunning vistas, wild chieftains, treacherous glens, and steep shadows–skullduggery, betrayal, and now murder. Prized for her exquisite beauty, the daughter of one of England’s most influential barons, Gabrielle is also a perfect bargaining chip for a king who needs peace in the Highlands: King John has arranged Gabrielle’s marriage to a good and gentle laird. But this marriage will never take place.
For Gabrielle, everything changes in one last burst of freedom–when she and her guards come upon a scene of unimaginable cruelty. With one shot from her bow and arrow, Gabrielle takes a life, saves a life, and begins a war.
Within days, the Highlands are aflame with passions as a battle royal flares between enemies old and new. Having come to Scotland to be married, Gabrielle is instead entangled in Highland intrigue. For two sadistic noblemen, underestimating Gabrielle’s bravery and prowess may prove fatal. But thanks to a secret Gabrielle possesses, Colm MacHugh, the most feared man in Scotland, finds a new cause for courage. Under his penetrating gaze, neither Gabrielle’s body nor heart is safe.
A gripping novel that delves into the heart of emotions–unyielding passions of love, hate, revenge, and raw desire–Shadow Music is magnificent gift from Julie Garwood and a crowning achievement in her amazing career.
From the Hardcover edition.

******As part of our 10 year anniversary celebration, we’ll be re-posting old reviews that make us cringe, laugh or sigh all over again.

Man, I love me some early Julie Garwood historicals. She lost me with her romantic suspense. I remember being so excited when she announced she was releasing a new historical. I’m still pretty disappointed it didn’t live up to my expectations. I wonder what would happen if I read it now? I might need to reread it and see if I still feel the same. 

This review was originally published January 8, 2008

This is less a review about this particular book and more my thoughts on the writing of Julie Garwood. Casee reviewed the book here. You can check that out for a plot summary and her thoughts, for they mostly mirrored mine.

Throughout her career, JG has remained a favorite of mine. Well, let me clarify. Prior to Killjoy she was a favorite of mine. Her historicals still call to me on occasion and I find myself picking them up at random, anxious to sink into an old, comfortable story, similar to how I might slip on my favorite sweats after a long day at work, or pop in a favorite DVD if I’ve had a particularly bad day.

But after Killjoy, not only did I think contemps were not her thing, I decided her writing itself deteriorated. The last novel I read by her was Slow Burn. While I enjoyed the basic premise behind it, I was sadly disappointed in the actual writing. Sentences were choppy, paragraphs seemed to bleed together, or go in odd directions that made no sense to me, dialogue was stilted, characters were half formed or one dimensional. I thought the plot was an awesome one, and had it been better fleshed out it had the potential to become her best written novel yet. But instead it fell far short.

After that, I decided not to read another of her contemps. I told myself, and others, that I’d buy her again if she went back to historicals, but otherwise I was done with her. I removed her from my auto-buy list and comforted myself with her old historicals, the ones that got me hooked on romance to begin with.

Then the announcement came. That yes, Julie Garwood, historical legend, would be returning to her roots. Love her older historicals or hate them, you can’t deny she’s a basic staple in romance. I was happy to hear she’d be returning, but somewhat apprehensive. Because although the moment I’d been waiting for had finally come, I was concerned about her actual writing style. The way she wove a story back when was unconventional perhaps, but still engaging. I didn’t think she’d be able to return to that, not after seeing evidence of her decline in her more recent novels.

I’m sad to say I was correct. She may have done quite a bit of head-hopping in her previous novels, but the focus remained on the two main protagonists. In this novel, however, she chose to write in a more narrative style than from one POV or another. So I was constantly pulled out of the story by her glossing over things, or seeming to sum things up. Very frustrating.

I’m also extremely unclear about how they H/H came to fall in love. There was hardly any interaction between the two, and what there was was disjointed and…once again, glossed over. There seemed to be no rhyme or reason to her writing. A chapter would start out from one POV or another, and then half-way through she’d jump into a narrative style, summing things up rather than allowing us as readers to follow the progress.

I suppose it would be like me starting a story, in which I use rich, colorful detail and much humor only to say, once you’re engaged and intrigued, “Blah blah, yada, yada, you get what I mean” and then just leave it at that. Frustrating, no?

There were some good parts. When the POV was written from either the hero or heroine, I was drawn into the story. Unfortunately, those parts were few and far between, and when they did happen, they didn’t last long. The basic premise was also a good one, and classic Garwood. Sadly, the point of the plot was lost somewhere in the muddle of switching from one writing style to another, the jumping between characters and places (i.e., from the Barons in England to the clans in the Highlands to the heroine to the hero to the guards of the heroine to her father back to the barons to the king of England, etc, etc) and the mass amount of inconsistencies presented.

A lot of the reviews I’ve read for this book said the Priests provided a lot of comic relief, but I didn’t really see that. Sure, there were some amusing parts, but I think I assumed they played a bigger part in the overall story (with actual read time, I mean) and that just didn’t seem to be the case.

I’m sure I’ll end up buying her next book (assuming she continues to write historicals), just to see if she somehow improves…hmm, or perhaps that’s not the right word. Regresses into her old writing habits? Goes back to being the Garwood I knew and loved? I’m not sure. I have a feeling I’m going to be sorely disappointed when (if) that time comes, however.

On a related note: Ange, The Romance Groupie, posted about this book on Saturday. I mentioned my disappointment in the overall writing in the comments, and she responded with this:

Actually, I’ve noticed that many of the popular authors appear to be going down in the quality department. I’m wondering if it’s the editors, publishers, etc. that are ruining it. It just seems strange that so many great authors have gone bad in the last year or so. Is it just me? Are you seeing this trend too?

I thought about it some, and yes, I have to agree. Some of my favorite authors have seriously declined in the last few years. Could it be because of the publishers or editors? Or is it just simply something with them personally?

Regardless, I’m disappointed.

Even though I said this was less a review and more my thoughts on JG’s writing as a whole, I’ll still rate the book:

2.5 out of 5

You can buy it here in hardback or in eBook format here. When I bought it from Books on Board, they were offering a $5 cash-back incentive, bringing the total book price down to $9.95. I’m not sure if they’re still offering the promotion, but you could email them to see.