
There have been quite a few times while Iâve been writing the Guardian series that Iâve thought to myself, âWhat in the hell was I thinking?â Some examples:
1) Lilith. Now, donât get me wrong, I love her. But as I was writing Demon Angel, I remember thinking more than once, âOh my god, what am I doing creating a character like this? My editor is going to kill me and readers are going to hate her!â And I thought, maybe I should make her nicer. Maybe I should make it so that she hadnât really spent 2000 years leading the damned to their deaths … maybe sheâs been hiding them all somewhere and teaching them to be good. But, like I said, I love her character … and of course that isnât true for everyone, but Iâm glad she turned out like she did.
2) Colin. A vain, beautiful, vain, beautiful vampire … and there wasnât that much more to him (at least, not much that was obvious in Demon Angel). And I thought, âOh my god, what am I doing making this guy a hero?â Of course, I knew there was a lot more to him, but there were times when I was writing and I was thinking, âDoes anyone really want to read about a vain metrosexual vampire? Aghhh!â And I read reviews that said, âHmm, that Colin — I donât see how heâs going to be a good hero,â and they are absolutely right … there wasnât much in Demon Angel to suggest Colin would be a good hero. Only in his own book does he prove himself hero material.
When readers first meet characters, most of the time we just get the surface … and usually, we want the surface to be attractive enough (not necessarily in a physical way, but a heroic way) … because otherwise, yikes — we might get pulled into a book with 400 pages of a character we really donât like and who doesnât change over the course of the story.
So when I finished with Demon Night, and realized that Jake was pulling at me to be the next hero … quite honestly, my âWhat the HELL was I THINKING????â went through the roof. Because in Demon Night, he wasnât exactly hero-material.
For one, although Jake is sixty years old, Drifter (Jakeâs mentor and the very manly man hero of Demon Night) calls him âkid.â Lilith calls him âpuppy.â Heâs a novice — which, in the Guardian world, just means that he hasnât completed his training — but it also meant that heâs not on equal footing with Drifter or any of the other heroes in the series.
It means that heâs not on equal footing with Alice. Not only is he younger, he ranks below her — the novice to the full-fledged Guardian.
And (Iâm being vague to avoid spoilers) Jake screwed up in Demon Night. He made a mistake that had enormous consequences. He does some silly things (like shape-shifting to look like a woman and teasing Drifter with a miniskirt.) Heâs got a smart mouth, and says some stupid things.
Thatâs not to say that he doesnât mature in Demon Night, or that I donât hint at his backstory as a soldier — and when the final showdown comes, Jake is as steady as a rock. But taken all together, the smart part of my brain (a part that is wholly removed from the writing part, half the time) was shouting at me to wait at least a few more books, develop him a little bit more as a secondary character, and have him at âheâs obviously hero material and a full-fledged Guardianâ by the time his own story begins.
The writing part of my brain did not agree with the smart part.
âOh my god,â I thought. âI canât even cheat, because everyone has just read Drifterâs story, they know Jake, so I canât just have him suddenly older and wiser and never saying the wrong thing — or controlling his Gift, because we *know* that Drifter had to scare the crap out of Jake to make him teleport. If Jake learning that happens off-screen, every reader has a right to scream âfoul!ââ
So I made a plan. Like I said, he was steady in that final fight in Demon Night, so itâs not like I had a complete fool on my hands. He was a soldier, and he had a good head on his shoulders and a sharp eye (that was established, too.) The foundation is there.
And the smart part of my brain thought: Okay, Iâll write Jake having some kind of epiphany — heâll have a conversation with Drifter that clears up all of Jakeâs conflict and confusion, and lets him come out on the other side âhero material.â
So I threw myself headlong into writing Demon Bound … and Jake flipped the bird at the smart part of my brain.
The conversation with Drifter never happens because Jake never *needs* it to happen. Oh, he has to grow up — but he doesnât need another man to tell him how to be one. Heâs ready to take that step on his own, and he figures out how to do it.
Jake gave me the big olâ âF– Off,â because Iâd underestimated him as a character. I was trying to make him fit some hero mold, but the way Iâd been planning to do it would have been the opposite of what I considered heroic.
Itâs not about status or rank or age; thatâs the surface stuff. My heroes — for me to consider them heroes — have to be self-aware. They have to understand themselves. Not on every level, but for me to consider having a scene where another character teaches Jake about himself in such a heavy-handed way, for self-realization to be forced on him from the outside instead of coming out of his own experiences and reason … well, it meant that Iâd sold his character short from the start.
And with that kind of character, the romance would have been cut off at the knees. Jake could have been a thousand-year-old Guardian, possessed the biggest wang and the sharpest sword — but if he hadnât possessed any insight, any self-awareness, or any ability to affect change in himself unless someone told him how … I wouldnât want him near one of my heroines.
So I look back on those early plans, and now I think … âWhat the hell was I thinking?â And thereâs no doubt in my mind that Jake is worthy of romance-hero status. Your mileage may vary, of course J
Leave a comment on this post before 11:59 p.m PST answering the questions listed below and you’ll be entered to win 1 of 3 copies of Demon Bound!
Aside from the physical, what trait is essential for you to consider a character hero (or heroine) material?
Can you think of a secondary character who you thought would never be a great hero/heroine in their own story, but that surprised you?
If you could choose one secondary character from any book to receive their own story, who would it be?