Tag: Maggie Robinson

Guest Review: In the Heart of the Highlander by Maggie Robinson

Posted March 15, 2014 by Judith in Reviews | 0 Comments

In the Heart of the Highlander Judith’s review of In The Heart of the Highlander (Ladies Unlaced, #2) by Maggie Robinson

She has exactly what he needs—and desires…

Ever since Mary Evensong’s elderly Aunt Mim got sick, Mary’s masqueraded as the owner of the Evensong Agency, finding housemaids and husbands and solving pesky problems for the peerage. Someday she’d like to shake off her silvery wig and spectacles and be the young woman she truly is, but desperate clients are waiting for “Mrs. Evensong” at the office.

Like a scandalous Scottish baron. Honor forbids Lord Alec Raeburn from explaining the suspicious circumstances surrounding his wife’s death, but he knows who’s responsible. He just needs to hire an actress to lure the scoundrel into a trap.

After listening to Raeburn’s story—and seeing him in his kilt—Mary knows the perfect person. Letting her red hair down, she heads off to the Scottish Highlands to pose as a seductress, but soon finds herself with more than her virtue at stake in a tug-of-war between two powerful men. She could wind up in danger—or in the heart of the highlander.

Once again the context of this very interesting novel is wrapped up in the dismissive attitude of 19th century English society toward “young” women regardless of their talents or evidence that they are more than capable of productivity and independence and/or business acumen.  Such is the case with young Mary Evensong, niece of a woman who is much older and who has established herself as adept in finding appropriate staff  or even possibly husbands for desperate women.   Now Mary must masquerade as her aunt in order to continue the agency because of her aunt’s illness.  At the heart of the novel is the challenge Mary accepts to be herself within a situation where her very life might be in danger.

Those of us who now live in a society where women are given greater affirmation for their gifts and talents will feel deeply Mary’s frustration at being dismissed as a young woman.  We will have no difficulty understanding and perhaps relating to her need to be herself, believing that the aristocrat who hires her doesn’t realize that she plays the part of both herself and her aunt as needed.  In many respects this is a fun story with lots of humor and the fun that comes from intentional and unintentional miscommunication.  Certainly there is a definite sexual tension when Mary and Lord Alec are thrown together often in order to flush out the person who has killed Alec’s wife.  And who can resist a man in a kilt?  M ary certainly couldn’t and it is that indefinable “something” that started to percolate inside her innards that moved her to accept Lord Alec’s commission in the first place.

I think those who really like a story with an edge, who like  a historical mystery, who love historical romance will enjoy this story immensely.  It’s well written and the story flows seamlessly from scene to scene.  The characters are a mixture of fun and deep seriousness, deep feeling with the capacity to be as superfluous as necessary.  It is a highly entertaining read and contains all the ingredients which mark the kind of historical novel that stands out as one of the remarkable ones.

I give a rating of 4 out of 5

The Series:
Book Cover Book Cover
You can read more from Judith at Dr J’s Book Place.

This book is available from Berkley. You can buy it here or here in e-format. This book was provided by the publisher in exchange for an honest review.


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Guest Review: In the Arms of the Heiress by Maggie Robinson

Posted August 2, 2013 by Book Binge Guest Blogger in Reviews | 1 Comment

16056416Erica’s review of In the Arms of the Heiress (Ladies Unlaced #1) by Maggie Robinson

It’s all fun and games until someone falls in love…Independent heiress Louisa Stratton is going home to Rosemont for the holidays and, at the family’s request, she’s bringing her new husband Maximillian Norwich, art connoisseur and artful lover, the man she’s written of so glowingly. There’s one hitch—he doesn’t exist. Louisa needs a fake husband, and fast, to make the proper impression.Charles Cooper, captain of the Boer War and with a background far from silver spoons or gilded cages, is so hard up that even Louisa’s crazy scheme appeals to him. It’s only thirty days, not till death do them part. What’s so difficult about impersonating a husband, even if he doesn’t know a Rembrandt from a Rousseau?The real difficulty is keeping his hands off Louisa once there’s nobody around to see through their ruse. And then there’s the small problem of someone at Rosemont trying to kill him. Keeping his wits about him and defending Louisa brings out the honor he thought he’d left on the battlefield. But when Louisa tries to protect him, Charles knows he’s found a way to face his future — in the arms of his heiress.

Louisa Stratton is an heiress of considerable fortune, and a crappy family back home in England. For the last year, she’s been bouncing around Europe to escape her crappy family and exercise her independence. She’s told her family that she got married to rich, debonair Maximilian Norwich. The problem is that Maximilian doesn’t exist, and she needs to go home. So, she enlists the services of the Evensong Agency to hire a man to pose as her fictional husband for a hefty fee. Charles Cooper was an officer in the army, fought in the Boer War, and definitely has PTSD, and for the money he’s willing to act like Louisa’s make-believe husband.I LOVED this book. LOVED it. When I was halfway through the book, I took it to work and showed it to people and yelled, YOU MUST READ THIS!
I wish I’d finished it first.
It’s not that I didn’t love it, because I totally did. But if I had waited until I was finished and got some distance from the story, I may have been able to be critical enough to think of the problems in the book.

It was seriously so lovely. It’s a historical romance, but it’s not a Regency. I enjoy Regency as much as the next girl, but it was so refreshing to see a different era. It’s set in the early 1900s (if you’re not a not a history buff and can’t just rattle off the dates of the Boer War from the top of your head), and there were some great details to make it feel accurate to the period.Louisa is a freakin’ amazing heroine. She’s a bit wild, a bit impulsive, smart, a proto-feminist, adorable, and extremely awesome. That being said, we didn’t see a lot of her madcap adventures in the story, because her family sucks a lot, and she becomes quiet and subdued around them. This could have been annoying, but I totally understood why she was acting the way she was. Also, I think a lot of her wildness has been a reaction to her family, so her being a bit more thoughtful, to me, read as someone growing up and not just rebelling for the sake of rebelling.Charles is seriously screwed up. He has seen some terrible things and he’s haunted by them and the things he’s done. I loved that he talked about his trauma early in the story, and that he wasn’t magically healed immediately. He does *think* that he’s been healed, which means that when symptoms of his PTSD manifest later in the story, he totally freaks out and pulls away from Louisa out of fear that he’ll never be normal. I thought this was awesome, because PTSD is a complicated problem, and it is not often addressed realistically in romance. I don’t this was realistic, per se, but it was the closest to realistic that I’ve seen. I loved how he felt like a real guy. I just totally loved him.Their chemistry was smokin’. Their conversations were hilarious. I freakin’ loved them. I loved them so much. They were so adorable. They had real issues, and they worked them out, and even when Charles decided to be a douche for a second, Louisa was patient and talked to him and they worked through it.

So the relationship was freaking amazing. Amazing. The plot was interesting. There was good stuff abounding.

And then the book ends, and it almost completely destroys all the amazing stuff. The resolution of the mystery was okay, but it happened too quickly and too neatly. Other resolutions actively made me angry. Not only did they happen entirely too quickly, there didn’t seem to be enough in the story to justify the resolutions. I was annoyed and completely unsatisfied. And then the epilogue happened and it was adorable and I was happy again.

In the book, there are some examples of weak writing. There are some POVs from some characters who I don’t really need to hear about. I assume the only reason why they’re included is to establish some dramatic irony by having the reader know things that Charles and Louisa don’t, but once they learn the information, the POVs from these other characters are dropped. Which, to me, shows that they weren’t necessary. It wasn’t completely egregious, it was just weak and kind of meh, and I loved the rest of the story so much that I am definitely willing to forgive this.The character of Mary Evensong, the chick who runs the Evensong Agency, is fascinating. From the excerpt in the back, she’s going to be a major character in the next book in the series, and I am dying to know more about her.So, while this book had issues, I almost didn’t care because I loved the rest of it so damn much. I will definitely be picking up more books in this series. However much I loved it, I can’t give this book a full 5.0, because the ending was so disappointing and annoying. Darn it. So, because of the ending, I give this a 4.0.Rating: 4 out of 5

This title is available from Berkley.  You can buy it here or here in e-format.  This book was provided by the publisher in exchange for an honest review.


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